She is to be dropped back by evening. All it takes is Joju’s indifferent expressions and Nimisha’s really scared, schoolgirlish face. 10 months ago | 7.2K views. The depiction of the act of rape by taking the camera into the haunted and solitary lanes of the deserted city instead of a graphic depiction makes room for the audience to derive multiple interpretations of the girl’s following reactions. Early in Sanal Kumar Sasidharan's Chola, there is an overhead shot of a jeep navigating a hairpin bend. Perhaps because the scary trailer came much earlier or else it is the general remoteness of the whole place that Chola begins with, you expect something horrible to happen from the moment the title goes up the screen. © Copyright 2020 Cinestaan Digital Pvt. Mail address is Required Invalid Mail Format. When the black goes away and light falls on the screen, there comes our virgin in a blue skirt and cream top – a school uniform – hugging a schoolbag. From the moment she sets eyes on the gruff ‘Ashan’ (Joju), Janaki (Nimisha) is uneasy. The violated girl cannot get over this deeply embedded teaching of society that the man who takes her virginity is the most important man in her life. It is amazing how a simple jeep ride across a remote but picturesque place, wet with rain (good shots, Ajith Aacharya) can make you so tense, with very little help from background music. You know the inevitable when she eventually gets over her anger and bursts into frolic with her boyfriend as the Boss takes notice in the rear-view mirror. Enjoy a rich lineup of TV shows and movies included with your Prime membership. The visual of the morning after, when the girl wakes up and it is found that she has made beautiful designs of stones in the dead of night in a dense forest, is a powerful portrayal of the innocence that is her core nature. FC At Venice – Chola (Shadow Of Water) Movie Review: Sanal Kumar Sasidharan Continues His Study Of Oppression In A Twisted, Chilling Retelling Of The Ramayana. Try Again ! Sign up. By submitting this form you are agreeing to the terms and conditions of Cinestaan.com. Its distinct craft brings out the signature of the filmmaker. And Janaki is a kid. Be prepared for an immersive, literally head-spinning and almost interactive bit of film viewing. The film could be called the third instalment in Sanal’s “oppression trilogy”. +91-9820140345 The film 'Chola' showcases … Nature plays an important part in the movie.. Sanal Kumar Sasidharan's film puts out the bizarrely dark aspects of the reality that we usually choose to ignore. The writing falters, the actions and reactions seem like a staged event gone wrong. Ajith Aacharya’s cinematography is a key element that builds each moment on screen, taking time and allowing the ambience to create palpable uneasiness in the audience’s mind. Sanal Kumar Sasidharan gives you a disturbing film which falters towards the end. Akhil Visvanadh has various shades in his character. Reese Thomas’ short Malayalam film is an ode to our love for the movies and the yearning of... Cinestaan Curates: A roommate from hell lords over Kiran Josey’s Bineeshettan Roommate. The city is a pleasant adventure for the young girl, holding tight to the edges of the escalator or gaping at the mall dancers. The Boss is silent most of the time and complies with the young lovers' requests. A dog is at her side as Nimisha Vijayan walks through the woods to reach a jeep. The film is multi-layered and there is scope for multiple interpretations of the narrative. Report. On the other hand, the Boss’s astuteness now appears positively dangerous. Name is Required. It is not easy to visually depict the psychological trauma of a rape victim and the social conditions that add to it. Chola Movie Review & Showtimes: Find details of Chola along with its showtimes, movie review, trailer, teaser, full video songs, showtimes and cast. Chola Movie Review: Raw, sublime and hauntingly powerful . Review: Be prepared for an immersive, literally head-spinning and almost interactive bit of film viewing. For this, the credit goes not just to director Sanal Kumar Sasidharan and the amazing cast, but in equal, if not more, measure to cinematographer Ajith Aacharya and composer Sergey Cheremisinov. Neither TNM nor any of its reviewers have any sort of business relationship with the film's producers or any other members of its cast and crew. It can all be explained away as the aftermath of that something horrible. Malayalam, Cinestaan Curates: Pettikkada Madhavan delves into starry-eyed dreams. 'Chola' review: Joju and Nimisha are terrific but film falters in the second half. Even without the pictures (and thankfully no symbolism). 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